â€˜We encourage students to engage with our resources and collaborate with our outstanding professors across both theory and practice, so that they can make a meaningful contribution to the profession.'
The Royal College of Music’s Historical Performance Faculty provides intensive training in all aspects of historically informed interpretation from more than 500 years of music history. Students on both historical and modern instruments have the chance to combine unparalleled access to knowledge with a wide range of performance opportunities.
There are outstanding research and study opportunities to support your training, including an extensive collection of manuscripts and early printed editions housed in the HÂþ» Library. The Royal College of Music Museum holds approximately 1,000 historical instruments dating as far back as the 15th century. We have one of the largest collections of early keyboards in any higher education institution.
Historical Performance at the HÂþ»
Head of Historical Performance, Professor Ashley Solomon, joins recorder and historical oboe player Katie Cowling to talk about the opportunities HÂþ» students enjoy.
One-to-one lessons are at the very heart of every HÂþ» student’s learning experience. Individual lessons are offered on the complete range of period instruments by a faculty of exceptional professors, many of whom are principal players in major period instrument orchestras, active as soloists and members of well-known ensembles.
Performance opportunities usually include chamber projects and concerts, baroque and classical orchestral projects for both modern and historical instruments and regular masterclasses given by world-renowned musicians.
Each year, the HÂþ» Baroque Orchestra plays as part of the HÂþ»’s extensive programme of events, as well as collaborating with other conservatoires including the Salzburg Mozarteum and Bremen Hochschule. There is also the opportunity for singers to collaborate in performances of Bach Cantatas each year with the orchestra.
Our students have had the opportunity to perform at UK festivals and heritage venues including Hatchlands Park, Windsor Castle, the Bath International Music Festival, the London Handel Festival and the Queen's Gallery at Buckingham Palace.
There is plenty of scope for chamber music performance, both student-led and through high-profile opportunities internally and externally. Students are encouraged to form their own chamber groups and expand their repertoire. All HÂþ» chamber groups can benefit from unlimited coaching and Historical Performance students can also access 18th-century chamber music coaching from Florilegium, our Ensemble in Association. Additionally, in 2020 we acquired the Kennedy-Mietke Harpsichord, a double-manual harpsichord inspired by Mietke, made by Bruce Kennedy.
In 2021 the HÂþ» launched the New Generation Baroque Ensemble scheme in collaboration with BBC Radio 3 and the National Centre for Early Music. Each year an early career ensemble will be mentored by the HÂþ»’s Chair & Head of Historical Performance, work in collaborative side-by-side sessions and give two recitals.
The HÂþ» also hosts an International Festival of Viols every year, launched in 2007, featuring concerts, lectures and masterclasses from leading performers.
'HÂþ»ing in the Historical Performance faculty is very enjoyable and stimulating. We have a lot of different classes led by different professors according to theirÂ specialities.'
'Teaching in the Historical Performance Faculty encompasses 400 years of musical history, with opportunities for students from across the HÂþ», making a big and diverse community.'Â
'College has helped me developÂ aÂ genuine passion for what I'm doing andÂ vision for what I want my future to look like. MyÂ experience has been inspiring, fuelingÂ a drive for excellenceÂ andÂ innovation.'
Performing at the Palace of Versailles
Performing new music at the Royal Academy of Arts
Students performing on a lute and historical flute
Dido and Aeneas at the Bath Festival
Purcell's Dioclesian featuring the HÂþ» Baroque Orchestra and dancers from the Mercurius Company
Performing at the OpÃ©ra Bastille as part of a collaboration with the AcadÃ©mie de lâ€™OpÃ©ra de Paris and Centre de musique baroque de Versailles
Beyond the HÂþ»
While the Historical Performance Faculty takes a very active role in the life of the HÂþ», additional opportunities exist further afield.
As well as invitations to perform at prestigious UK venues, the Historical Performance Faculty regularly tours overseas, providing opportunities to perform in world-renowned venues and to experience global music. Previous destinations have included Italy, Salzburg, Bolivia, Washington DC, New York, Rome, Venice, Frascati and Bologna.
Our students have performed with the Salzburg Mozarteum in the Leipzig Thomaskirche on Good Friday and taken part in video conference masterclass sessions with the Eastman School New York, Sydney Conservatorium of Music, Royal Danish Academy of Music and Hong Kong Academy for Performing Arts.
In 2017, musicians from the Historical Performance faculty took part in a collaboration with the Académie de l’Opéra de Paris and Centre de musique baroque de Versailles to stage Rameau's Les fêtes d’Hébé with performances in both Paris and London.
Historical Performance musicians on tour in Italy
Follow violist Matyas Csiba as he goes on tour to Italy with members of the HÂþ» Historical Performance Faculty.
Practical classes & lectures
Historical Performance students take part in project-based learning, culminating in assessed public performances and presentation classes. These include:
- Stylus phantasticus – 17th-century Austrian and Italian repertoire with Terence Charlston
- Early 18th-century French repertoire with Ashley Solomon
- Improvisation with Fatima Lahham
- Diminutions with Wouter Vershuren
- Medieval & Renaissance ensemble work with William Lyons
- Baroque dance workshops with Mary Collins
- Cello continuo classes with Richard Tunnicliffe
- Lute song with Jakob Lindberg
- Classical and romantic repertoire with Geoffrey Govier
- Ornamentation and cadenza classes with Rachel Brown
Non-assessed regular classes
In addition, we provide regular classes outside of the assessment framework which are designed to widen understanding and provide further opportunities to develop professional skills. These include:
- Coaching of 18th-century repertoire on modern and historical instruments from Florilegium, the HÂþ»’s Ensemble in Association.
- Tuning and temperament (16th–18th centuries).
- Chamber music and continuo techniques.
- Historical and classical taster sessions for modern woodwind players.
- Regular viol consort sessions with Dr Sam Stadlen, offering an opportunity for all non specialist viol students to engage with this rich repertoire on an extensive collection of instruments that the HÂþ» owns.
Historical keyboard studies
Keyboard students in the Historical Performance Faculty perform on historical instruments, benefitting from studying their playing styles first-hand. This takes place both within the HÂþ» and in collaboration with other institutions. We have the largest collection of historical keyboard instruments at any UK conservatoire, including the earliest playable example.
The collections of keyboard instruments and primary source materials make for an unparalleled learning environment, supplemented by concerts, workshops, conferences and other events tailored for keyboard students.
Recent visiting artists
The faculty holds regular masterclasses with distinguished visiting international musicians. Recent visitors, online and in-person, have included:
- Kees Boeke
- Christophe Coin
- Menno van Delft
- Enrico Gatti
- Walter van Hauwe
- Wilbert Hazelzet
- Monica Huggett
- Vittorio Ghielmi
- Jordi Savall
- Elizabeth Kenny
- Ton Koopman
- Paulo Pandolfo
- Rachel Podger
- Jean Rondeau
- David Watkin
Historical Performance alumni currently hold positions with:
- Academy of Ancient Music
- English Baroque Soloists
- English Concert
- Orchestra of the Age of Enlightenment
- Orchestre Révolutionnaire et Romantique
The HÂþ»’s Creative Careers Centre, which is recognised internationally for its innovative approach to supporting young musicians, provides an unparalleled service to current students and recent alumni. The dedicated team partners with leading consultants, reputable arts organisations and local communities, delivering unique career-building opportunities and a direct route to the music industry.
The work of the Creative Careers Centre allows students to discover their professional identity, gain hands-on experience and new skills, develop an entrepreneurial mind-set and build a fulfilling professional portfolio.
Extensive performance and teaching opportunities are available, as well as valuable guidance on CV and biography writing, concert programming, communication skills, project management, marketing and publicity, online promotion, financial matters and how to develop a business idea.
The Royal College of Music is proud to offer its students fantastic practice and performance facilities with resources to support teaching and learning. We continually improve our facilities to ensure HÂþ» students have the best opportunities.
Key facilities at the HÂþ» include:
- The Amaryllis Fleming Concert Hall - our primary performance venue for orchestras and large ensembles.
- Our 400-seat Britten Theatre, home to the HÂþ»’s thriving International Opera School.
- A new Performance Hall, offering an alternative space for ensembles, with a retractable stage, Fazioli grand piano and variable acoustics.
- Intimate spaces for solo and chamber performance in our Performance Studio and Parry Rooms.
- Sound-proofed Amadeus Music Pods for private practice.
- A purpose-built percussion suite – you can .
- Over 160 pianos, including 60 grand pianos and 20 early keyboards, as well as organ rooms.
- A Blüthner Practice Suite which holds ten Blüthner Model A upright pianos.
- Instrument surgeries including luthier services.
- HÂþ» Studios: a commercial-grade facility, enabling live broadcasts around the world.
- Digital Innovation Lab: advanced recording and mixing suite.
- HÂþ» Library with more than 200,000 scores, books and recordings in its lending collection, as well as access to more than 400 music journals.
- Recently refurbished HÂþ» Museum, holding more than 14,000 instruments, portraits and images, as well as a climate-controlled performance space and the associated Wolfson Centre in Music & Material Culture | Royal College of Music (rcm.ac.uk)
Latest from the Historical Performance Faculty
3D models of eight rare woodwind instruments protect against conservation concerns around the playability of historical instruments due to their fragility, allowing greater engagement opportunities for Royal College of Music students, professional musicians and Museum visitors.
Sir Antonio Pappano returns to the College to conduct the HÂþ» Symphony Orchestra, and Sir Thomas Allen and Dame Imogen Cooper share their knowledge with students in the masterclass series
The Royal College of Music (HÂþ») achieved the highest rating of Gold for its outstanding teaching, delivery of student experience and outcomes in the Teaching Excellence Framework (TEF) 2023.
The Royal College of Music is delighted to announce a new global partnership with the industry-leading online platform Forte offering lessons with HÂþ» teachers to students in the global Inspired Schools group.
Distinguished conductor Sir Andrew Davis makes his debut at the College, and world-renowned piano virtuoso Lang Lang shares his expertise with students as part of the HÂþ»'s masterclass series.
07 March 2024, 5:15pm
The Carne Room
08 March 2024, 6:00pm
18 March 2024, 5:15pm
18 March 2024, 6:30pm
20 March 2024, 6:00pm
Please note that the audition and application process for Fellowships is not the same as it is for our courses. Please refer to the individual Fellowship pages for more details.
Contact the Historical Performance Faculty
If you have any general queries about Historical Performance at the HÂþ», please contact our Historical Performance Faculty Administration team. If you have any queries about auditions or the admissions process, please contact our Admissions team.
Historical Performance Administration
General enquiries about the operation of the faculty and consultation lessons
Admissions and general audition enquiries
+44 (0)20 7591 4362