HÂþ»­

HÂþ»­ options & audition requirements

A group of string musicians, sitting together in an orchestra rehearsal, smiling and chatting to each other.
We understand that auditions are a significant milestone on every conservatoire applicant’s journey. The guidance below will help you prepare to the best of your abilities and make you aware of what will happen at your Royal College of Music audition.

Your experience will depend on your specialism and your chosen audition location. 

Most candidates audition at the HÂþ»­ in London. We also offer auditions at a number of venues overseas. The audition process differs between venues. If you are unable to attend in person, you have the option to audition by video. You are advised to read the information below carefully.

Principal studies

Every student undertakes principal study in their main specialism, which lies at the heart of their HÂþ»­ experience. You can audition for the following principal studies. Please note that research degrees have their own set of requirements.

Expand the options below to find out the audition requirements for each principal study. 

Violin audition requirements

Undergraduate

Applicants should prepare all of the following:

  • First (or significant) movement of a concerto, or a work written originally for violin and orchestra
    A contrasting piece of your own choice

Taught postgraduate

Applicants should prepare all of the following:

  • First (or significant) movement from a major concerto from the 19th or 20th century
  • A contrasting piece of your own choice

What to expect at audition

Viola audition requirements

Undergraduate

Applicants should prepare all of the following:

  • First (or significant) movement of a concerto, or a work written originally for viola and orchestra
    A contrasting piece of your own choice

Taught postgraduate

Applicants should prepare all of the following:

  • First (or significant) movement from a major concerto from the 19th or 20th century
  • A contrasting piece of your own choice

What to expect at audition

Cello audition requirements

Undergraduate

Applicants should prepare all of the following:

  • First (or significant) movement of a concerto, or a work written originally for cello and orchestra
    A contrasting piece of your own choice

Taught postgraduate

Applicants should prepare all of the following:

  • First (or significant) movement from a major concerto from the 19th or 20th century
  • A contrasting piece of your own choice

What to expect at audition

Double bass audition requirements

Undergraduate & taught postgraduate

Applicants should prepare:

  • Two contrasting pieces

What to expect at audition

Harp audition requirements

Undergraduate

Applicants should prepare all of the following:

  • Nadermann Sonatine no 6 (first movement, Leduc Edition) or Zabel Concert HÂþ»­ no 1 in E flat
  • A contrasting piece of your own choice

Taught postgraduate

Applicants should prepare:

  • Two contrasting pieces

What to expect at audition

Guitar audition requirements

Undergraduate

Applicants should prepare two contrasting pieces, at least one of which must come from the list below:

  • John Dowland Fantasia no 7 in E
  • JS Bach Lute Suite no 4 BWV 1006a (Gavotte en rondeau)
  • JS Bach Cello Suite no 1 BWV 1007 (Prelude) 
  • Girolamo Frescobaldi Aria con Variazioni 
  • Domenico Scarlatti Sonata in A major L 483 
  • Sylvius Leopold Weiss Passacaglia 
  • Fernando Sor Andante Largo op 5 no 5 
  • Manuel Ponce Campo from Sonatina Meridional
  • Joaquin Rodrigo En los Trigales
  • Leo Brouwer Elogio de la Danza

Taught postgraduate

Applicants should prepare two contrasting pieces, at least one of which must come from the list below:

  • Manuel Ponce Campo from Sonatina Meridional  
  • JS Bach Fugue BWV 1000 
  • William Walton Five Bagatelles nos 2 and 3  
  • Richard Rodney Bennett Five Impromptus  
  • Lennox Berkeley Sonatina (first movement) or Theme and Variations

What to expect at audition

Related studies

Related study allows instrumentalists to receive tuition on an instrument closely associated with their principal study. Students can take one of our principal options as their related study, as long as a clear relationship exists. For example, a violinist can choose viola.

The following instruments are also available as related study options:

  • Jazz violin
  • Jazz viola
  • Jazz guitar

Related studies are approved by the relevant Head of Faculty once a student has started their course. No audition is required and you do not need to let us know about your interest in related study before you arrive at the HÂþ»­.

Historical strings

It is possible to undertake studies in the following specialisms through our Historical Performance Faculty:

  • Historical violin
  • Historical viola
  • Viola d'amore
  • Historical cello
  • Cello continuo
  • Historical bass
  • Violone
  • Viola da gamba
  • Historical harp
  • Lute
  • Archlute
  • Theorbo
  • Baroque quitar

Visit Historical Performance

Second study

Most undergraduates on the BMus course and postgraduates studying for MPerf, MComp, MMus(Perf) or MMus(Comp) have the option of undertaking a second study specialism. Second study allows students to receive tuition in a second specialism, taught and assessed at a lower intensity than their principal study, in an area that does not qualify for related study.

Second study specialisms are subject to successful audition and the agreement of the relevant Head of Faculty. Auditions take place during the first few weeks of the course, and students will have the opportunity to register for these auditions shortly before the start of the academic year. There is no need to inform the HÂþ»­ at the point of application.

What to expect at audition

What to bring

In most cases you only need to bring your instrument and music for you and your accompanist. Please remember to bring anything you need for your instrument (eg spike grip for your cello).

What not to bring

You cannot bring a page-turner, your teacher or a translator into your audition. The only people in your audition room will be you, your accompanist and the audition panel. As our courses are taught in English we expect you to be able to communicate in English at your audition.

Strings auditions in London

The time shown on UCAS Conservatoires is your audition time. You should plan to arrive at the HÂþ»­ at least 30 minutes before this, to allow time to check in and warm up. We advise allowing plenty of extra time for travelling into or across London.

If you are caught in an unavoidable delay, please telephone the Admissions team on +44 (0)20 7591 4362 immediately so that, wherever possible, alternative arrangements can be made.

When you arrive at the HÂþ»­, you should find out from the steward in the entrance hall where your audition will take place.

Strings auditions last approximately 20 minutes. Candidates will be directed by the panel to perform their audition pieces or particular extracts. We cannot say in advance which extracts you might be asked to perform, so you should prepare all of the materials in full. You will be required to take a sight-reading test and there will be a short interview. Typical interview questions may include: 

  • Why do you want to study at the HÂþ»­?
  • What are your musical interests?
  • What do you think you need to do most to improve your playing?

In some cases you may also be asked to perform scales, arpeggios or other technical exercises.

Due to the volume of applicants, there is a two-phase audition process for violin, viola and cello candidates auditioning in London during the main November–December audition period. Some candidates will be referred to a second panel, which is held later the same day. However, candidates who are referred should not assume they are definitely being offered a place. Similarly, if you are not referred, please do not assume you have been unsuccessful.

Harpists who are unable to bring their own instrument will be able to use an HÂþ»­ harp. There is no need to notify us in advance if you require this; just inform the steward for your audition panel on arrival.

You will have 20 minutes of warm-up time with your accompanist prior to your audition. We are not able to provide practice rooms for you to use before this.

You are welcome to bring your own accompanist. Alternatively, the HÂþ»­ will have accompanists available on the day of your audition. We usually have several accompanists working on each audition day. We are unable to provide the name or contact details of our accompanists in advance.

If you require an HÂþ»­ accompanist you do not need to tell us in advance; just inform the steward for your audition panel when you arrive.  

You do not need to tell us what you are performing in your audition and please do not send copies of the music in advance. Our accompanists are very experienced and are familiar with most standard repertoire.

Strings auditions overseas

Overseas auditions for 2025 entry

We are planning on holding auditions for most principal studies at some of our overseas locations. Please check our Choosing where to audition page for updates.

Choosing Where To Audition

Audition by video

Applicants who cannot travel may submit a video audition instead. This option is open to all Principal HÂþ»­ specialisms, except Conducting, for which we will hold final round auditions live in London in Spring 2025. Candidates auditioning by video will automatically be considered for scholarship.

The deadline to submit applications for video auditions is 2 October 2024. Videos must be submitted by 28 October 2024. 

More information about auditioning by video

Scholarships

Every student who applies for a place on one of the HÂþ»­'s performance or composition courses commencing in 2025 will be considered for a scholarship, whether you have applied by video or attended an audition or interview in person.

There is no separate application process.

Eligibility for scholarships is based on merit, which is determined by performance at audition (or by submission of video) or the strength of portfolio and interview for composers.

If you are offered a scholarship or study award you will receive a letter, normally sent by email, confirming this and the conditions of your award.

In exceptional circumstances, an applicant may be offered a scholarship on the day of their audition.

After your audition

You will be informed of the result of your audition as soon as possible. The HÂþ»­ cannot enter into correspondence over the results of auditions. 

Find out more

Audition queries

Please double-check that you are available at the time and date of your audition. If there are any special circumstances the HÂþ»­ needs to be aware of before your audition, please let us know in advance.

Find out more

If you have any questions about auditions or the application process please contact our Admissions team.

Admissions

Admissions and general audition enquiries

+44 (0)20 7591 4362

admissions@rcm.ac.uk

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